
“It was really useful to fully understand the principles after all this time. I highly recommend Garnish”
Mark Jenkyns
Yes - understanding codecs and export settings for different audiences and channels is part of the editing module.
Sensor size, exposure, shutter speed and frame rates, codecs, bit rates, lenses, aperture and filters.
Yes - pre-production is covered too, including location scouting, scripting and storyboarding.
Primarily Adobe Premiere CC, though Final Cut users can take the course too if they already understand the basics of non-linear editing.
18 hours, available in-person or Live Online.
36 Hours | In-Person: ¥500,000 | Live Online also available
The whole mixing process, condensed: zeroing the desk, subgrouping, panning, using your ears, and where ambience fits in.
Read →Setting up your Monitors and your room – What are the different types of monitors? – How should your monitors be positioned? – Getting the best acoustics…
Read →Not surround sound and not more speakers - a different way of describing where a sound is. Beds and objects, the room you probably do not have, why the loudness war was never possible in Atmos, what changes about mixing and what does not, and how to deliver it.
Read →The term stereo, short for stereophonic, involves the reproduction of sound using two separate audio channels that are then presented to a pair of…
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →How compression works - attack, release, knee and look-ahead - plus noise gates and limiting, and what each is actually for.
Read →