Music Production School Summer Camp | Tokyo
- →Learn to use your music production software efficiently, to get results, fast.
- →Learn synthesis and sound design to create the sounds you hear in your head for your songs.
- →Learn the science of recording, so vocals and everything else you record sound full and professional.
- →Learn the art of mixing to make your masterpiece sound fabulous.
- →Learn how to master your track so it's loud, but still dynamic.
- →Learn how to get noticed and market yourself.
Music Production School Summer Camp | Tokyo
- →Learn synthesis and sound design to create the sounds you hear in your head for your songs.
- →Learn the science of recording, so vocals and everything else you record sound full and professional.
- →Learn the art of mixing to make your masterpiece sound fabulous.
- →Learn how to master your track so it's loud, but still dynamic.
- →Learn how to get noticed and market yourself.
- →Learn to use your music production software efficiently, to get results, fast.
Please add the learner's name and email address in the 'Additional Information' box at check out if they are different from the payer's. If there are fewer than 48 hours before the start of your course, please contact us to ensure we still have availability before you book.
2019
A) Producer in Ableton: Monday to Friday | July 15 - August 9 | 10a - 2.15p
B) Producer in Logic: Monday to Friday | July 15 - August 9 | 2.30p - 6.45p
C) Producer in Logic: Monday to Friday | August 12 - September 6 | 10a - 2.15p
D) Producer in Ableton: Monday to Friday | August 12 - September 6 | 2.30p - 6.45p
What our students say.
“It was really useful to fully understand the principles after all this time. I highly recommend Garnish”
Mark Jenkyns
Instructors
Questions we hear a lot.
80 hours, in-person or via online remote attendance.
No - bring your own if you have one, or hire a school iMac loaded with the software for a $149 supplement.
Yes - getting noticed and marketing yourself is part of the curriculum, alongside the technical production skills.
No - Camp 1 (Ableton) suits DJs and electronic producers, while Camp 2 (Logic Pro) is built for singer-songwriters and pop producers.
Programming drums and bass, editing vocals, sampling, recording, mixing, mastering, and building your own sound.
Yes - the official Apple Logic Pro certification course and examination is included.
80 Hours | In-Person: ¥600,000 | Online Remote Attendance also available
Ready to get started?
InquireWhat makes Garnish different?
Ableton Live 10 | New Features - What's New VIDEO
Now Ableton has made the big announcement, we can finally give you a first look! As New York City is our newest location, Garnish New York Ableton Live instructor Michael Hatsis (aka Bangingclude) goes through some of the new features in the new Ableton Live 10! Firstly he delves into the new Waveta
Read →Pete Waidson & Michael ‘The Fox’ Gleeson – Toolroom records release
In January Garnish Music Production School learners Pete Waidson (Mixing course) and Michael 'The Fox' Gleeson (Ableton course) had their first release on Toolroom Records entitled 'Interferon' which had huge support from label boss Mark Knight, as well as regular plays from Stefano Noferini, A
Read →Which DAW is better – Logic, Pro Tools, FL, Ableton or Cubase?
When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →360-Degree Video Footage Of A Class
Samsung asked us if we'd like to borrow one of their prototype 360-degree cameras. We said yes and it didn't take us long to decide what to do with it! It's sphere-shaped device with a front and back lens.
Read →Mixing Music with Creative FX
Mixing Music with Creative FX | Mixing Desk by Mr Steve Powell The signal chain is something always at work whether you’re in the studio, playing around with beats on the computer at home or playing a synthesiser live at a gig. If you are purely a performer, your worry with the signal chain ends whe
Read →Creative vs. Technical
Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →