
“It was really useful to fully understand the principles after all this time. I highly recommend Garnish”
Mark Jenkyns
Use the "Connect" button to request info on upcoming schedules.
18 hours, available in-person or Live Online.
Realistic drum patterns and fills, more musical guitar and bass parts, session musician technique, and rhythm section fundamentals.
To make your programmed rhythm parts sound authentic instead of robotic.
No - the techniques apply regardless of your own instrument background.
18 Hours | In-Person: ¥200,000 | Live Online also available
Drum Miking Techniques: Recorder Man and Glyn Johns Katie Gilchrest's take on drum miking techniques Many considered the drum set one of the hardest pieces of equipment to mic in a studio. A drum kit is not one instrument, but a collection of multiple instruments, featuring a wide variety of differe
Read →The sound of modern drums in rock, pop, and electronic music very rarely embodies the natural range that acoustic drums are capable of. This is most often due to the application of compression, adding punchiness, energy and consistency to a drum track.
Read →How To Improve Bass In Music Bass can be a very complicated part of your mix. Actually, we’d even go and say that the majority of home-producers or home-recorded work, don’t have a good low-end, which is really the basis (get it, bass-is?) for any mix. In this article, we look at how to improve bass
Read →By Heinrich Zwahlen The ability to store the state of Macro Controls as preset variations in Racks has drastically increased the functionality of these already...
Read →by Katie Gilchrest When it comes to mixing, establishing a balance is one of the most important parts of creating a professional sounding production. Some of the same miscalculations are made again and again, and fortunately there are ways to recognize, avoid and fix them. Here are five common mixin
Read →As early as 2010, if you wanted to put together an album you were pretty much forced to shell out cash to a local recording studio. Or, even worse, you pretty much needed a record deal with a label of some sort.
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