
“I came in knowing literally nothing and now I can make a quality track in just a day or two. Simple as that.”
Jason Heffler @fluenceemusic
36 hours, available in-person or via online remote attendance.
The course is largely based on those, but the techniques apply just as well if you use a different DAW.
Subtractive and wavetable synthesis, FM synthesis for sub-bass, and granular synthesis.
Yes - it's specifically designed to help you finish those "nearly-but-not-quite" ideas by giving you real sound design and synthesis skills.
Yes - business tips and Q&A are part of the overview module.
Yes - one-to-one track mentoring sessions are included.
36 Hours | In-Person: ¥450,000 | Online Remote Attendance also available
With PM we can create quasi acoustic sounds, such as a plucked guitar, string, flute or drum hit. But other than with samplers we can also tweak…
Read →The Sample Select feature in Ableton Live can be used to select from multiple loaded samples that are mapped across the keyboard and you can then macro…
Read →DS Clang consists of two separate tones, white noise and a filter, allowing you to create a variety of cowbell, clave and noise percussion sounds.
Read →Two tabs in the Clip View that write and rewrite MIDI for you - Seed, Rhythm, Stacks, Euclidean patterns, Strum, Ornament, Recombine, Connect. Where to find them and what each is for.
Read →Additive synthesis is a type of synthesis that involves the creation of complex waveforms by combining simple sine waves, called harmonics, in specific…
Read →is a technique used to manipulate audio samples to create unique and interesting sound design.
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